Really excited to be able to sit down with the CEO of GoDaddy, Blake Irving to talk about how I run my small business as a full time musician! Tune in to the live broadcast at 2:00 pm today on his FB page! https://www.facebook.com/blakeirving/
http://KEXP.ORG presents Andrew Joslyn performing live in the KEXP studio, featuring guests Will Jordan, Shelby Earl and Eric Anderson. Recorded April 18, 2017.
She’s Gone to California
Host: Kevin Cole
Audio Engineer: Kevin Suggs
Cameras: Jim Beckmann, Alaia D’Alessandro, Kendall Rock & Justin Wilmore
Editor: Scott Holpainen
NPR and KUOW Public Radio released a feature on me today on NPR Morning Edition and NPR All Things Considered! Tune in! And make sure to pick up the last remaining tickets to my show tomorrow at the The Triple Door!
The Western film that I scored, “Hickok” is coming out on July 7, 2017 in theaters and on Demand! #hickok, #filmscore, #newmusic, #makingmusic
They are finally HERE! I have a special DELUXE version of my record, “Awake at the Bottom of the Ocean” coming out on June 2 – vinyl, with 5 additional tracks. Please come out to the show – it is going to be a beautiful production! You can purchase tickets here.
#supportlocalmusic, #tripledoor, #liveorchestra
The song showcases what Joslyn does best – fusing the regale of an orchestra with the allure of pop music. From the opening twirls of strings, it’s clear that this is a grand affair and it only gets bigger and more intricate from there. McCarthy’s vocals rumble as he muses on the idea of music as business. While it’s McCarthy’s voice delivering the message, the lyrics are written by Joslyn. It offers a candid take on what it’s like to be a working (or as he puts it, struggling) artist and trying to navigate through cynicism. In the end, he says that he keeps coming back to music, his “distant love”, with a hope that he won’t be hurt by it again.”
– John Richards (KEXP)
My song, “Mantra for a Struggling Artist” is the Song of the Day on KEXP! Thanks to KEXP and John Richards for the immense love and support! Thanks to William McCarthy for his amazing vocal performance, as well as Budo for his beats, Mark Rodriguez for his crazy balls piano solo, and Martin Feveyear for his steadfast production, mixing, and engineering, as well as Glenn Schick for his beautiful mastering job.
I wrote Mantra when I was at my lowest in 2015. No other song went through as many re-writes as that song. I had three different chorus ideas, and nothing seemed to fit: everything came across as preachy, saccharine, and fake like a hall mark card. I wanted something honest, and biting.
I remember having a conversation with Eric Sanderson and Billy McCarthy while I was recording strings for them for their song “Weary Eyes” at the old Votiv Seattle offices. We talked about the struggles, and real life battles of being a full time musician, and it’s effect on our lives, our finances, our mental and emotional health. It was a hard conversation, but a real one. At the time I wasn’t sure if I could make the step to become a full time musician – but Eric and Billy’s love of music, and their craft helped spur my decision, and ultimately pulled me into this career without any safety net. No plan B.
Ever since then, I wanted to write an honest song about pursuing a life of art and creativity, and Mantra for a Struggling Artist is that. I had to have Billy sing the lead vocal…. the song is literally inspired, and focused on his love of music and his mission to pursue a life of music.
The chorus though, is inspired by my six week tour with David Bazan along with the Passenger String Quartet. The best thing he ever told me was this: “If you are going to be an artist, you have to have your heart broken by the industry a couple of times.” I look at being an artist as continually being in love with a hurtful/but sometimes rewarding relationship…. but there is something magical that keeps on making you come back. Being an artist isn’t a career… it’s a calling.
Love to all – and thank you for listening and reading.
Beautiful people of the world!
Really excited to share the first cut from singer/songwriter William McCarthy’s (Pela, Augustines) solo record! He sang the lead vocals on my track, “Mantra for a Struggling Artist,” and is a terrific human being. I’m honored that I had a chance to contribute my strings to his lead single, and looking forward to more to come from his record! Go to his website to download and listen to it. He has made it available for free all he asks is , if you like it – share it. Simple. WilliamMcCarthy.org/store.
I’m proud to announce that my song, “Spinning Wheels (Feat. Eric Anderson)” has been selected as a semi-finalist for the 2016 International Songwriting Competition!
Here’s hoping for the finals! #fingerscrossed.
Much Love to Randy Erickson from the Lacrosse Tribune for his recent write up about my record:
“For next year, the National Academy of Recording Arts and Sciences ought to give some serious consideration to nominating Andrew Joslyn for his “Awake at the Bottom of the Ocean,” which comes out today. Joslyn is a Seattle-based composer, songwriter, producer, arranger and violinist who contributed to Macklemore and Ryan Lewis’s Grammy-winning album, “The Heist.”
Joslyn’s compositions on the new album combine rock and pop with classical orchestral arrangements, helped by a variety of guest vocalists, including Mark Lanegan (of Screaming Trees and Queens of the Stone Age). Joslyn skews more toward the classical influences than Jeff Lynne did with Electric Light Orchestra, and it’s a potent and unique mix. I haven’t heard anything like this since XTC’s “Apple Venus, Vol. 1” album, and it’s great to hear such skillful playing of orchestral instruments, not to mention hearing somebody taking chances and trying something outside the same old formula.
Rock on …” – Randy Erickson
Link to full article.
My record is finally out TODAY! Please take a listen, share, and purchase if you’re so inclined!
‘Awake at the Bottom of the Ocean’ started off as an exploration to find my own musical voice, and an effort to create a scoring/songwriting reel. But after a couple of months of writing the record, it changed dramatically after I suffered a horrific house fire. I experienced several forms of loss and trauma all at the same time. I lost all of my possessions, I mourned the death of my cat – who suffocated in the fire – and the fragility of the relationship I was in at the time was brought into sharp focus. By the end of the record I had truly lost everything that I was familiar with.
The fire destroyed years and years of sheet music and old scores, and in many ways this record was an attempt to reclaim the sounds that had burned. In here, melodies and orchestral themes fold in on themselves, and become repeated motifs throughout the record, yet each song is it’s own piece of art, with it’s own unique vocalist, and storyline. It is all a part of a singular soundtrack to a tumultuous year, which culminated somehow, in a sense of balance and acceptance within. Ultimately I found my musical voice at the bottom of it all.
I would like to thank several people that made this album happen:
My parents for giving me a proper education in music, and supporting my continual pursuit of a sustainable career in the arts. My violin and music teachers: Beverly Sortland, Kim Zabelle, Geoffrey Castle, Paul Anastasio, Walter Schwede, and Sandra Schwartz. Madison Warnock for her love, belief, and patience with all of my insanity while trying to make this record happen. To my brother Chris, for letting me drag him out into the Salton Sea for a music video shoot. BC Campbell for his musical feedback and camaraderie. Mark Rodriguez for his brotherly support, musical talent, and killer piano solo. Budo for his crazy genius, and amazing beats on this record. Macklemore & Ryan Lewis, for giving me the chance to see the world. for their tireless work and belief in this record, and my music. Chaz Jenkins for his British marketing mastery. Kaytea Moreno Elst for her hard work on making sure people hear this record. Martin Feveyear for his immense talent, and witty charm – without him, this record wouldn’t be what it is. To all the musicians that contributed their talents to this record. And a huge thank you to the amazing voices that helped shape, and perfect my words, and brought new dimension to this record: Adra Boo, Eric Anderson, Shelby Earl, Mark Lanegan, William McCarthy, and Will Jordan.
And a final thank you to the Seattle music community and MusicCares – without your generosity and support this album would have been impossible, and without it, my career in music could have gone up in smoke.
Seattle Weekly did a nice feature on my record! Thanks to Jake Uitti for the nice interview and write-up.
“Awake recalls the virtuosity of baroque pop violinist Andrew Bird and the springs and dives of a Mozart concerto, and brings a curious, self-investigative quality unique to Joslyn. This is evident immediately in the record’s first song, featuring vocalist Will Jordan—one of the many exquisite guest singers, including Adra Boo and Shelby Earl. Jordan sings, raspy and wondering, “We’re all living for that royal grace, that special place, that plastic heaven.” The standout track, though, might be “I Should Have Said Goodbye Before I Met You,” an emotionally remorseful song featuring Sun’s lamenting vocals.” – Jake Uitti (Seattle Weekly)
The full write-up can be read here:
Seattle native Andrew Joslyn is a composer, orchestral arranger, violinist, and producer who has a stunning resume of musical contribution work: Some of his highlights include songwriting and composing credits on Macklemore & Ryan Lewis’s The Heist, as well as numerous other recordings including Tom Chaplin of Keane, Mary Lambert, The Augustines, and many others.
Joslyn recently released his first solo endeavor, Awake at the Bottom of the Ocean, which shows off his facility with genre bending. Yahoo Music is pleased to premiere the video for the single “Desiderata,” which features vocals from fellow Seattleite, Queens of the Stone Age/Screaming Trees’ Mark Lanegan.
“Desiderata was a poem that hung in my parents’ house for years, and I would always wake up every morning to it, and read it. Over time, it became an internalized mantra of sorts, and I’ve revisited it many times since I’ve left my parents,” explains Joslyn. “The message of it — written by the poet Max Ehrmann back in 1927 — resonates so deeply, and spiritually for me…. essentially it had to be represented on my record in some way. The song — along with Mark Lanegan’s world weary, and deeply calming voice — is the spiritual anchor of the record. At the bottom of the ocean, there is always hope, balance, and the simple pursuit of happiness.
“For the video, I had my brother act as the lead. Our parents are both Zen Buddhists, so having him involved only brought the entire project and its message full circle.”